Continuing the webcomic theme from yesterday, I finally uploaded the archive of strips from the webcomic I used to do in 2003.
It actually started off as a cartoon on flyers advertising Baby Tiger gigs before developing into music reviews for a while before ending up in the final version.
Start at the far end of the cartoon department, third floor.
I found some old sketches at the weekend and decided that I shouldn't just leave them in a drawer doing nothing.
I, therefore, present to you:
It's kind of a web comic but it only has 19 issues, no plot and won't be continuing.
I listen to a bunch of podcasts. I watch the Daily Show and the Colbert Report. I listen to a lot of They Might Be Giants. When you combine this with the audiobooks I listen to, the shows I go to and the paper books I read, you start to spot a pattern. A slightly sinister pattern...
This originally started as a connectivity diagram of American Literary Non-fictionists but after I'd finished I realised it's not entirely American, it's not entirely non-fictionists. It's not entirely comedy and not entirely literary. After showing it to a friend though, he immediately suggested 'The New Illuminati' or possibly the Literary Illuminati. Maybe just the Illiternati. Any way round you have it, John Hodgman appears to be as some kind of Literpope in the middle of a literspiracy.
From what I can figure, I need to write some world economics exposé with Planet Money, discuss the software I used to analyse the markets with This Week in Tech and appear onstage at The Moth to tell the audience how the experience changed my life then I can join the dots on the diagram and reveal the secret Iliternati symbol. I think it'll be somewhere between the CND logo and a hyperbagel.
I've been trying to make myself sketch a lot more recently. This was mostly prompted by my decision to start up The Angry Robot Zombie Factory as an actual company doing web development and illustration.
I've been keeping an almost daily sketch blog over on tumblr and promoting any good pieces over onto my actual illustration portfolio. At some point, I'll bring all these different sites and things together. Until then, here's a sketch of a few things from the last couple of weeks.
This must exist somewhere. I just can't find it.
I listen to a lot of podcasts in a week and I use quite a few different computers. One desktop at home, one laptop while out and about and a PC and an iMac at work. I want some service (or combination of web service and application) that I can use to manage my podcast subscriptions regarless of where I am.
At the moment, I have iTunes installed on my desktop, my laptop and the iMac at work and I have subscribed to my collection of podcasts in each of them. I want to be able to plug in my iPod and have it delete the podcasts I've listened to and get the latest episodes of each of my subscriptions. At the moment, I plug it into the desktop, copy on the latest 'Planet Money' and listen. A couple of days later, there's another episode released so I plug into my laptop and it offers the episode I've just finished listening to and the new one. A few days later, I'm working on the office iMac and plug in my iPod, it suggests the last weeks-worth of episodes. I have to manually go into every subscription and drag over the individual files that I want to listen to.
What I'd like to have is a web site where I can put in my podcast subscriptions and it will track the latest episodes of each. I can then either point iTunes to this site so that I can point all my installations at it or it will provide an application which can be used to put the latest episodes onto my iPod. When I plug in my iPod, the application tells the site which ones I've listened to and it removes them from my listening queue. The application could, also be stored on the iPod itself to enable it to be used wherever the iPod is plugged in, not just on computers with iTunes.
Am I explaining myself clearly enough? It just seems so simple, it should already exists within iTunes. It is entirely possible that Apple's recent acquisition of Lala could be the first step in an online iTunes which would solve these problems. If anyone has any suggestions for the best way to achieve this, please let me know. I thought of a way of doing it with Dropbox but it would only work if the music bit of my iTunes library weren't bigger than my Dropbox account.
I like the textures in this one but I might prefer it black & white. Hmmm.. undecided.
Originally uploaded by thingsinjars on flickr
I know that every professional thinks their bit of the process is more important than people give them credit for. Designer's don't just colour in wireframes handed to them by the Information Architect. IAs don't just draw boxes and arrows. Copy writers don't just copy-and-paste the company brochure over the lorem ipsum.
Now that I've said that, I must now point out: Developers don't get nearly enough credit.
This may be something to do with the odd confusion that is 'web designer vs. web developer'. In some - and possibly the majority of - agencies, the web designer not only designs what the page looks like in Photoshop/Fireworks/Whatever but also produces the HTML templates, CSS and whatever JavaScript they feel comfortable with (the tutorials at jQuery for Designers probably help, too). In these agencies, if there is such a person as a web developer, they are most likely responsible for moving the relevant bits of HTML into template files, adding in any back-end integration and possibly writing some of the trickier JavaScript. The confusion arises in the other kind of agencies. The kind where web designers make Photoshop files and web developers turn them into HTML. The designer doesn't necessarily need to know anything about HTML, semantics or scripting. Not to minimise the importance of this kind of designer - they'll know a lot about typography, and visual relations, probably quite a lot about user experience and the process involved in bridging the gap between what the client wants to say and how the user wants to hear - but it's this kind of web developer I think doesn't get enough credit.
If you're designing a site with a full knowledge of how it could be marked up, you will naturally - even if it's subconsciously - be marking it up in your head. This will influence your design and not necessarily in a bad way. You might ensure the semantics are just that little bit clearer or you might nudge these bits over that way so they can be grouped with those other ones there. If, however, you design with no thought at all about how this is going to be made, you will, most likely, do some things that you wouldn't otherwise. If your front-end developer can take this and turn it into a perfectly semantic, clean-coded masterpiece of HTML and CSS then apply JavaScript to progressively enhance the heck out of it and still keep it looking like you designed, they deserve to be lauded, applauded, praised and thanked. Publicly. The usual outcome of this situation is that the designer gets asked along to the awards ceremonies, puts it on their portfolio, an article in the Drum, happy. The developer gets a pat on the back from the team leader and asked if they could just tidy up how it looks in IE5.5 before they head home for the night, that'd be great, thanks.
Sure, maybe we just need some better awards ceremonies for geeks. The kind of thing that the agency sales team will be able to brag about to potential customers (as that, in essence, seems to be the point of awards ceremonies) but I also think there might need to be a bit of a change of opinion in the industry. Just as designers don't just colour in wireframes, developers don't just open the designs in Photoshop and press 'Save for web...'.
I hope this doesn't sound too ranty. These thoughts were prompted after seeing a few designer and copy writer portfolios which contained sites that either I'd built or one of my team had built. Writers credited, designers credited, developers (who built some awesome stuff on them, by the way) lost in the mists of time.
This probably won't mean much to anyone unless you're familiar with the Japanese Heidi cartoon which was popular in Germany in the 80s.
When I first heard the theme, I thought the intro should have gone like this.
A few years ago, I made a prediction about the way the web was going and so far it hasn't come true but it's definitely coming closer. To me it seems that the logical extension of us developers separating style and substance – what we've been doing for years with semantic mark-up – is for the general consumer to take that substance and give it their own style. I'm in no way suggesting that everyone become a designer. That would be a terrible, terrible thing. What I mean is that the consumer takes in/reads/experiences whatever it is you're giving to them in the manner that best suits them. There are many examples of what I mean around already but they're still not quite where I think they will end up.
We (web developers) already provide RSS feeds on our sites. By subscribing to a site's RSS feed, you get the content delivered directly to your RSS reader. As long as the site is providing the full article content (shame on you, if not) the consumer gets to see your content in a design format you have little control over. There is a basic level allowed for RSS formatting but nothing you can rely on. The control for the visual appearance of your content is now in the hands of the designer of the reader and the consumer (by way of choosing which reader they use).
This was what initially prompted my thoughts on the subject. I've used Opera as my main browser for almost 10 years and I've always liked the Author mode/User mode switch. In essence, you can quickly toggle between seeing a web page as it was intended by the designer or disregarding the original layout and applying your own stylesheets to it. For the most part, this is used to be able to set high contrast for visually impaired users or to test various criteria (showing only images that have missing alt attributes, for example) but they can be used to produce any visual effect achievable with CSS.
User stylesheets can also be assigned on a per-site basis rather than globally which means that you could have your Google results rendered in courier, right-aligned in green on black while your facebook pages can be set in Times in a sepia colourscheme.
As with many things on the web, userstyles became a lot more popular once this functionality was available in Firefox (via the add-on Stylish) and not just Opera. Now there's a growing community of Userstyle developers and a directory of styles. Unfortunately, this is still not quite ready for mainstream use. It requires at least a basic level of technical ability to enable userstyles and to install them.
The userstyles community is, however, dwarfed in comparison to the userscript community. In pretty much exactly the same way that userstyles work, users can execute a specific Javascript file whenever they visit a site. Again, this can be enabled in Opera using site preferences and in Firefox using the Greasemonkey add-on. These scripts can completely change the way a site functions as well as how it looks. Combine them with userstyles (which userscripts can include automatically) and the only thing you can rely on remaining from your original design is the URL. There's a massive database of userscripts available.
Again, though, these are still just that little bit too hard. The standard user isn't going to install the extension, isn't going to browse for scripts and isn't going to run Opera so these are still a bit too far away.
There are now quite a few sites where you can save stuff to read later. If you find an interesting article or a funny blog post but don't have time to read it or if it appears on a site with a garish and unusable design, you can send it to Instapaper or Evernote . You can then read it in their interface, on your iPhone, on your Kindle... all separated from your design.
It's not only text that gets this treatment, you can use Ember and LittleSnapper to grab and store visuals for later perusal or use Huffduffer to collect any audio files you find and serve them back to you as your very own personalised podcast. Again, this is your content separated entirely from the way you wanted it seen. And that's a good thing.
For content creators, all this means is that your content can be consumed anywhere, even via sites, tools and delivery mechnisms you've never heard of. Designers, don't despair, users aren't suddenly going to take their content elsewhere and not need you any more – users still want and need things designed well, this just means that if your design works for the user for a particular type of content, they'll use it for any content of that type. I'd much rather watch youtube videos using vimeo's layout than youtube's. Actually, I'd much rather have vimeo's comments, too.
We're still quite a way off the average user being able to see whatever they want however they want it but these technologies and tools are definitely heading that way. I just wish I'd made a bet on it way back when.
